The First World war was a tragedy that launched a series of severe tests for the Russian people: revolution, civil war, famine, political repression, the Second World war. And all this fell on one generation of people. What courage and patience those people must have had in order to survive all the upheavals of the 20th century? What was their character like? What they must've been thinking and feeling? These questions are asked by the authors of the film "A Russian Youth". The film tells the story of a simple village boy who goes to the front of the First World war with a naive youthful dream of fame and medals. In the first battle he loses his sight. He is left to serve as a listener - he must listen carefully through huge metal funnels and raise an alarm in case of enemy airplanes' approach. Back then the basis of the Russian Empire army was wormed of peasants and working class - people with a characteristic appearance, who lived lives of hard physical labor. Many non-professional actors in the film were looking for on the streets, in factories, among the cadets of military schools, in an orphanages - The film features the music by Sergei Rachmaninoff, who created the Third piano Concerto in 1909 op30. With the power and energy of this piece, the composer predicted the coming upheavals of the 20th century. One can hears Rachmaninoff's premonition about the fate of the people in the lyrical shrill melody. Three decades later, at the beginning of the Second World war, Rachmaninoff will create "Symphonic dances" op.45, an even more grand and vigorous work. After which he no longer wrote.
Acid is a silent manifesto of the generation of twenty-year-old. They have been abandoned in a world adorned with concepts such as family, friendship, love, and opportunities. In search of answers to their questions, they devour themselves like a chemical substance that corrodes the world around, in order to eventually learn not to listen but to hear, not to look but to see. And to find their way.
The unique view on the well-known story of Christ's death and resurrection, which we see with the eyes of brigand Barabbas who got away from death on the cross.
1988-1989. The end of the Soviet-Afghan war. The USSR begins its withdrawal from Afghanistan. Soviet General Vasiliev's son - a pilot named Alexander gets kidnapped by the mujahideen after his airplane crashes. As a result the 108th motorized infantry division's long awaited return home gets put on hold for one last mission: bring the General's son back. Based on true events the previously untold story of the courageous and tragic withdrawal campaign (through the Salang pass) reveals the danger the horror and the complexity of human nature during wartime.
Great Poetry is about two guys who live on the outskirts of Moscow and work as cash collectors. They're young, lonely, and all they have in the world is each other. They spend their lives moving money for other people. Dreaming, they attend a poetry class at their local cultural center, and watch cock fights at a dorm for migrant workers. Attempts to find poetry in the prosaic world that surrounds them lead the heroes to the conclusion that the only poetic move they can make is to rob a bank. Paul Claudel wrote that a person lives their life intimately and poetically, and in our film there is a lot of poetry. But the film isn't about words or rhymes. It's about friendship and betrayal, and about our vicious and alien world in which anyone who tries to be honest and consistent ends up looking naive and cruel. It's about the ever-present and incomprehensible force that no matter what makes our life so frantic, strange, and lonely.