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Cheng Cong, the matriarch of a wealthy Shanghainese family in Hong Kong, is financing the production of a new play in Hong Kong's venerable City Hall. The play is Two Sisters, a retro melodrama in the vein of Tennessee Williams, written and directed by the trans woman Ouyang An. As the two sisters of the title, the production will star Yuan Xiuling (a stage veteran making a comeback five years after retiring from the theatre, and one year after the death of her faithless husband Cheng Jun - who was Cheng Cong's younger brother) and He Yuwen (a smart movie actress making her stage debut, who happens to have nursed a career-long rivalry with her co-star). The production is scheduled to have its first night in one week's time. The run-up to the first night is eventful. Yuan Xiuling has been left financially embarrassed by her late husband's apparent failure to provide for her, and worries where she will live and how she will pay for her son Yuan's boarding-school fees in England. She has.

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A paralyzed and hopeless Hong Kong man meets his new Filipino domestic worker who has put her dream on hold and came to the city to earn a living. These two strangers live under the same roof through different seasons, and as they learn more about each other, they also learn more about themselves. Together, they learn about how to face the different seasons of life.

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Yuen Siu-man is a gynaecology nurse struggling with a fear of physical intimacy that led to the breakdown of her marriage. When her father is hospitalised, Siu-man enlists the help of Jihao, a French-educated chef, to salvage the faltering family restaurant, and their cooking lessons take a sexual turn.

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A phone call about an old classmate's death triggers a middle-aged man to look back on his past and the pained wish for a different past that may change his future.