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In her directorial debut, Mary Jirmanus Saba deals with a forgotten revolution, saving from oblivion bloodily suppressed strikes at Lebanese tobacco and chocolate factories. These events from the 1970s, which held the promise of a popular revolution and, with it, of women's emancipation were erased from collective memory by the country's civil wars. Rich in archival footage from Lebanon's militant cinema tradition, the film reconstructs the spirit of that revolt, asking of the past how we might transform the present.

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A politically-charged fable, featuring mostly non-professional actors, about a child who launches a lawsuit against his parents.

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The film narrates the story of three women in three different cities. They have given up on life. One lives in Damascus. She has stopped speaking to others entirely, isolating herself in her flat. The other has left Damascus as a result of the war and went to Sweden, where she imprisons herself in her paintings, hoping through them to rid herself of the torments of the past. The third ended up in Vienna and faces an unknown future, like the ghost of a woman who fled Austria after the Second World War. It is a discussion between a woman stuck in Damascus, a second stuck in exile, and a third who has recently left. It is a conversation between the interior and exterior - an impossible conversation.

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A group of clowns who set off for the island of Lesbos to deliver laughter to refugees.

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Two friends both struggling with their careers dress up as police officers for a costume party. They soon realize that civilians and even cops think they are the real deal. Seeing this as an opportunity for female attention and perks, the duo begin a spree of crazy adventures. The duo's fun come to a grinding halt, once confronted by dangerous mobsters. They are forced to rely on themselves against deadly criminal and corrupt cops.