David Collins

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A determined young woman and a damaged occultist risk their lives and souls to perform a dangerous ritual that will grant them what they want.

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The story follows Aidie, a fighter inside and out, as she searches for her son while in the grip of the Church.

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From the producers of Once and Sing Street, Float Like a Butterfly is a powerful and timely story of a girl's fight for freedom and belonging. In a gender-reversal of classic film Billy Elliot, 15-year-old Frances has to fight for the right to fight back. Raised in roadside camps in rural Ireland, Frances wants to champion her people inside the boxing ring and out, like her idol Muhammad Ali. But society is determined to break her spirit and destroy her way of life. And her father, once her greatest ally, is too defeated himself to imagine any better for his daughter. But Frances was not born to be broken. In the mother of all fights, she must dig deep to find in herself the Champion her father once knew her to be.

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It's during a term studying animal euthanasia that veterinary student Rose decides to contact Ellen, the birth mother who gave her up for adoption. But Ellen, who is now a successful London-based actress, doesn't want to know. Undeterred, Rose will not be ignored. And curiosity leads her to discoveries that shake the fragile identity she has built for herself. Directors Christine Molloy and Joe Lawlor, also known as Desperate Optimists, have spent years making formally rigorous, atmospheric cinema that often deals with the uncanny effects of impersonation and the slippery nature of truth.

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Based on the life of Rose Dugdale, a former debutante who rebelled against her wealthy upbringing, becoming a volunteer in the militant Irish republican organization, the Provisional Irish Republican Army.