IMDb:https://www.imdb.com/name/nm0000229/
Date of Birth:18 December 1946, Cincinnati, Ohio, USA
Height:5' 7½" (1.71 m)
Trademarks:Uses powerful flashlights in dark scenes (Jurassic Park (1993); The Lost World: Jurassic Park (1997) and E.T. the Extra-Terrestrial (1982)). The outline of the beam is often made visible through dust, mist, or fog. Frequently uses music by John Williams. Often shows shooting stars (Jaws (1975)). Onscreen performers staring, usually at something off-camera. He often uses images of the sun (Raiders of the Lost Ark (1981), The Color Purple (1985), Empire of the Sun (1987), Saving Private Ryan (1998)). His films often show children in some sort of danger. Consistent references to World War II. Frequent references to Disney films, music, or theme parks Frequently uses a piano as an element in key scenes (Schindler's List (1993), Saving Private Ryan (1998), Minority Report (2002)). Important images, or characters, are often seen through the rear-view mirror of a car (Duel (1971), E.T. the Extra-Terrestrial (1982), Jurassic Park (1993), Schindler's List (1993), Artificial Intelligence: AI (2001)). Frequently casts Tom Hanks, Richard Dreyfuss, Harrison Ford, Frank Welker and Tom Cruise. Protagonists in his films often come from families with divorced parents, with fathers portrayed as reluctant, absent or irresponsible, most notably in _et: the Extra-Terrestrial_ (Elliot's mother is divorced and father is absent) and Catch Me If You Can (2002) (Frank Abagnale's mother and father split early in the film). This reflects Spielberg's own experience as a youth with his parents breaking up. A common theme in many of his films is ordinary people who discover something extraordinary - people, places, artifacts, creatures, etc. (Raiders of the Lost Ark (1981), E.T. the Extra-Terrestrial (1982)). Since Raiders of the Lost Ark (1981), all of his movies have featured visual effects (even those that were undetected) by Industrial Light & Magic (ILM), the F/X house created by his friend George Lucas. The only exception has been The Terminal (2004), which had F/X work by Digital Imageworks. Is credited for starting the summer blockbuster tradition with 1975's first $100 million megahit, Jaws (1975). His films are almost always edited by Michael Kahn. Known on-set for being able to work and come up with ideas very quickly (the best example of this would be the filming of "Saving Private Ryan", where Spielberg came up with angles and shot ideas on the spot, due to the fact that the film was largely un-storyboarded). Perhaps this is a habit he picked up after the filming of "Jaws", which was, very famously, a torturously slow shoot due to technical problems. Ardent champion of the "cutting-in-camera" philosophy Frequently uses (and helped re-popularize) the "dolly zoom" in-camera effect used to signify/evoke an impactful moment or realization, famously employed in "Jaws" upon Chief Brody witnessing the shark attack from his beach chair.
Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric German Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament to the good in all of us.
Mikey Walsh and Brandon Walsh are brothers whose family is preparing to move because developers want to build a golf course in the place of their neighborhood - unless enough money is raised to stop the construction of the golf course, and that's quite doubtful. But when Mikey stumbles upon a treasure map of the famed "One-Eyed" Willy's hidden fortune, Mikey, Brandon, and their friends Lawrence "Chunk" Cohen, Clark "Mouth" Devereaux, Andrea "Andy" Carmichael, Stefanie "Stef" Steinbrenner, and Richard "Data" Wang, calling themselves The Goonies, set out on a quest to find the treasure in hopes of saving their neighborhood. The treasure is in a cavern, but the entrance to the cavern is under the restaurant of evil thief Mama Fratelli and her sons Jake Fratelli, Francis Fratelli, and the severely disfigured Lotney "Sloth" Fratelli. Sloth befriends the Goonies and decides to help them.
It's a hot summer on Amity Island, a small community whose main business is its beaches. When new Sheriff Martin Brody discovers the remains of a shark attack victim, his first inclination is to close the beaches to swimmers. This doesn't sit well with Mayor Larry Vaughn and several of the local businessmen. Brody backs down to his regret as that weekend a young boy is killed by the predator. The dead boy's mother puts out a bounty on the shark and Amity is soon swamped with amateur hunters and fisherman hoping to cash in on the reward. A local fisherman with much experience hunting sharks, Quint, offers to hunt down the creature for a hefty fee. Soon Quint, Brody and Matt Hooper from the Oceanographic Institute are at sea hunting the Great White shark. As Brody succinctly surmises after their first encounter with the creature, they're going to need a bigger boat.
An exploration of the history, artistry, and emotional power of cinema sound, as revealed by legendary sound designers and visionary directors, via interviews, clips from movies, and a look at their actual process of creation and discovery.
Minature green monsters tear through the small town of Kingston Falls. Hijinks ensue as a mild-mannered bank teller releases these hideous loonies after gaining a new pet and violating two of three simple rules: No water (violated), no food after midnight (violated), and no bright light. Hilarious mayhem and destruction in a town straight out of Norman Rockwell. So, when your washing machine blows up or your TV goes on the fritz, before you call the repair man, turn on all the lights and look under all the beds. 'Cause you never can tell, there just might be a gremlin in your house.