Larger than life, wild, scary and androgynous - Grace Jones plays all these parts. Yet here we also discover her as a lover, daughter, mother, sister and even grandmother, as she submits herself to our gaze and allows us to understand what constitutes her mask. The stage is where her most extreme embodiments are realised and her theatrical imagination lets loose: this is where the musical of her life is played out. The film includes Grace's unique performances singing iconic hits such as Slave To The Rhythm, Pull Up To The Bumper, as well as the more recent autobiographical tracks Williams' Bloods and Hurricane. These personal songs also link to Grace's family life, as the film takes us on a holiday road trip across Jamaica, where her family roots and the story of her traumatic childhood are uncovered. In Jamaican patois, 'Bloodlight' is the red light that illuminates when an artist is recording and 'Bami' means bread, the substance of daily life. Grace Jones: Bloodlight and Bami weaves together the layers of Grace Jones' public and private life, as she moves effortlessly between different facets: she is gypsy, artist and partying hedonist, warm and funny but also a fierce and tenacious businesswoman. The performance continues to move thematically though the film, with Love Is The Drug acting like an aria, bringing the film to its final and most touching scenes. This is a Grace we have not seen before, someone who reminds us of what it is to dare to be truly alive.
Vita and Virginia is a love story of the affair and the friendship between writer Virginia Woolf "Elizabeth Debicki", and aristocrat Vita Sackville West "Gemma Arterton". In 1922, when Vita receives an invitation their paths crossed in Bloomsbury with Virginia. Their romance overcomes all social boundaries, Virginia's mental health struggles Vita's recklessness and neither will ever be the same without the other.
Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her 'talents' & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate. Her terrified father, Martin Martin, asks Rose to help save his daughter. Rose has to overcome the fear of her supernatural gift & work with Martin to save the girl, get the guy and be home in time for a light snack..maybe a yogurt or something.
A man in his thirties travels to a remote cabin to reconnect with his estranged father.
As imaginative as the creative process it documents, A Dog Called Money is a uniquely intimate journey through the inspiration, writing and recording of a PJ Harvey record. Writer and musician Harvey and award-winning photographer Seamus Murphy, hatched a collaboration. Seeking first-hand experience of the countries she wanted to write about, Harvey accompanied Murphy on some of his worldwide reporting trips, joining him in Afghanistan, Kosovo, and Washington DC. Harvey collected words, Murphy collected images. Back home, the words become poems, songs, then an album, which is recorded in an unprecedented art experiment in Somerset House, London. In a specially constructed room behind one-way glass, the public - all cameras surrendered - are invited to watch the 5 week process as a live sound-sculpture. Murphy exclusively documents the experiment with the same forensic vision and private access as their travels. By capturing the immediacy of their encounters with the people and places.