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Hamid's (8) father has gone missing. His mother Ishrat has turned indifferent towards Hamid and the entire world after the incident. Neglected and lonely, with a heart searching for answers, Hamid star gazes in the hope of meeting his father. The number 786 always bewildered Hamid. One day a teacher tells Hamid that this is God's number. Using his father's old mobile phone, after trying different combinations, he finally manages to connect to a person, who he is convinced is God. On the other side is Abhay, a hard-knuckled CRPF Jawaan. Hamid's phone call, though surprising at first, intrigues Abhay who engages in humouring Hamid. These two, unknowingly and unintentionally, change each other's world for the better.

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SherDil follows it's lead character Haris Mustafa, as he journeys from the academy to becoming a Flt Lt in the PAF, chasing his goals that are layered with personal and professional challenges.

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Zoya, a young rich girl falls for a middle class boy who happens to be her arrogant father's personal assistant's son. Meanwhile Mehboob, a middle class clerk in the struggle of making both ends meet, gets caught in the confusion as the love interest of Zoya. Zoya's status conscious father, pressurizes Mehboob to leave Zoya offering him a handsome sum of money, which Mehboob is in dire need of. Reluctantly, Mehboob accepts the offer. Knowing that Zoya's businessman father would never accept a lesser status son-in-law, the lovebirds elope.

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Baaji takes the audiences on a journey filled with glamour, romance, scandal and intrigue. The film also pays a tribute to the classic social dramas of Pakistani cinema of the 1960s and the 1970s, while also finding inspiration from the golden era of Hollywood of the 1940s and 1950s.