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América is a story of brothers confronting the chasm between adolescent yearning and adult realities when brought together to care for their ailing ninety-three year old grandmother.

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Laura, a Spanish woman living in Buenos Aires, returns to her hometown outside Madrid with her two children to attend her sister's wedding. However, the trip is upset by unexpected events that bring secrets into the open.

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Distant future. The year is 9177, century up, century down, and the entire world has been reduced to an only one skyscraper in the middle of a desert located in nowhere. In this Representative Building live the elite of the society and the living forces of it, composed by the absent-minded king, the mayor, his chief of staff and beauty girl Méndez, the two remaining civil guards Don Antonio and Morris, the two remaining polices Arriondas and Pozueco, the only one remaining Admiral Pacheco, hairdressers Justo and Agustín, bartender Pastrana, an old shepherd, priest Father Mirraño, friar Fray Vicente, nun Sor Sacramento, and finally the janitor, Eufemiano. In a close forest outside the Building live the rest of the world in a camp full of poverty and lack of any resource. In this depressive place lives José María, a rude man who dreams to sell the tasty lemonade that himself makes. But when he moves to the Building, he is stopped by Eufemiano, who meets the mayor looking for warning him about the anti-natural that an unemployed has a job. In the Building things too are complicated: Justo, tired of not having clients in his barber shop due to the fame of Agustín and his poems, kills Agustín dominated by the jealousy, but the king absolves Justo of the crime and he blames José María by simple caprice. Denying the guilty, José María resists to the arrest and he returns to the Building to sell lemonade, where he meets Méndez, who examines the lemons to test the quality. When the king decrees Méndez as the chosen to be the mother of a future prince to continue the dynasty, Méndez unites José María and his friend Galbarriato, who falls in love about Méndez, in a riot by the rights of the unemployed in the camp. While Justo is visited by the ghost of Agustín, Fray Vicente and Sor Sacramento unite the revolution and Don Antonio and Morris tries to balance the situation, José María, Galbarriato and Méndez starts the revolution, but the king has an idea to suffocate the riot of the most unexpected way.

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Samuel is an old hippie musician who settled in Formentera in the 1970s, when King Crimson and other British rock bands frequented the island. There he lives austerely, in a ramshackle house without electric light or unnecessary luxuries, and plays the banjo in a friends' club. Until one day, after many years, he receives the unexpected visit of his daughter Anna and his grandson Marc. Anna, unemployed for some time, says she has had to accept a job in France and is forced to leave her little son on the island with grandfather Samuel.

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Ana is an exemplary girl that has been educated in the 'normality' of a middle-class family. She has never been brave enough to break with all the regulations that her well-led life was supposed to be. The appearance of a double that starts living her life and doing all of her obligations, allows Ana to adopt total anonymity for the very first time. This fact becomes something that she understands as the opportunity to choose the life she wants without giving any reason to anybody, as the way to find total freedom and also happiness. Who is this double, where she comes from and why she appears are questions that I am not interested in answering in the film. This is just the starting point that is accepted as the motor that helps Ana to have the courage to fight for her own existence. Ana tries to make her own runaway possible breaking with everything, looking for her own limits, living a life opposed to whatever everybody expected from her.