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In the twilight of Imperial Russia, prima ballerina Matilda Kshesinskaya becomes the mistress of three Grand Dukes.

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Kinshasa, "Kin la Belle" is a city of 10 million people without a single cinema theatre. "La Belle At the Movies" documents the disappearance of Kinshasa's entire cinema industry over the past decade through interviews with filmmakers, cinema owners and government officials and powerful poetic imagery of a city and a population, nostalgic for the magic and the social tissue cinema once provided. The story of a city, the apartheid era, neo-colonialism under Mobutu and the censorship of certain preachers unfold through this narration of the fate of Kinshasa's cinemas. At the same time, "La Belle" celebrates the Kinshasa cowboys who found their identity in the Spaghetti Westerns of the 1960s and the vibrant commitment of many Kinshasans today to the memory and future of the cinema industry. Carefully documented, lyric in its imagery, "La Belle at the Movies" is a testimony of a moment in time where the film industry feels orphaned but lives in hope for a brighter future.

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A look at the life and work of arguably America's greatest poet Emily Dickinson.

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26 year-old Karl Marx embarks with his wife, Jenny, on the road to exile. In 1844 Paris, he meets Friedrich Engels, an industrialist's son, who investigated the sordid birth of the British working-class. Engels, the dandy, provides the last piece of the puzzle to the young Karl Marx's new vision of the world. Together, between censorship and the police's repression, riots and political upheavals, they will lead the labor movement during its development into a modern era.

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Paris, 1967. Jean-Luc Godard, the maker of "A bout de souffle", "Le Mépris" and "Pierrot le fou", idolized by critics and intellectuals, is shifting from revolutionizing cinema to becoming a revolutionary tout court. Isn't he shooting "La Chinoise", more a political tract in favor of Maoism than an actual movie? His female star is Anne Wiazemsky, writer François Mauriac's granddaughter, sixteen years his junior. Anne and Jean-Luc have been dating since 1966 and they marry this very year. She admires Jean-Luc's originality, intelligence, wit and boldness while he loves Anne's freshness and - admiration of him. But May 1968 puts their marriage to the test. Godard, who is more and more involved in the revolution, indeed becomes less and less available to his young wife, which does not prevent him from acting jealous. It also looks as if the genius is losing his sense of humor.